Our lives are full of color and generally we accept color as part of our lives in a casual and nonchalant manner. But color affects us very deeply, on a physical level, an emotional and psychological level and a spiritual level. Our individual identities are largely expressed by our own personal understandings or feelings toward color.
Color defines our fashion sensibilities, expressed in our ability to create art, our interior and exterior environments, and can encourage or adversely affect our health and well being. Color can be erotic and sensual, calming and passive, expressive and vital. Yet what makes color work? How do we relate to color, use it in our lives, manipulate it and master it even while most people have no true understanding of what color is?
At face value color is a scientific phenomenon, measurable and definable with rules and boundaries. But the way we experience color is personal. No color is seen the same way by any two people. Color may have different meanings to people in different cultures.
We see color because of light. However, light waves are not in themselves colored. Our perception of color arises in the human eye and brain. Each hue, or pure color, is defined by a particular light ray (a particular electromagnetic energy). The human eye perceives visible light, falling between wave lengths of 400 and 700 mill microns only. We are not able to perceive other forms of light rays, such as ultraviolet light, without the use of specially designed apparatus.
How we see color - Illustrated!
From selecting Historic or Period colors to mixing original colors for glazing and decorative effects, the artSparx Color Palette is here to help. You'll find color mixing recipes, ideas and basic color principles to help get you started.
The artSparx colorSelect System provides detailed instructions and step-by-step tutorials for creating custom color effects in your home or office. For artSparxPro members. You'll learn how to: Use the correct base colors: Creating a glaze: The Colorant: The Mixing Ratio: Mixing the glaze The basic glazing process Getting Ready Testing your glaze mixture Quick Chart: Proper use of colorants
Understanding the 12 step color wheel Creating a 12 step color wheel. Basic principles of color Primary, secondary and tertiary colors Tints and shades, value and hue, neutral grays Creating harmonious color schemes Using complementary and contrasting colors Using triadic colors to create balanced color schemes Using tetrads to create balanced color schemes
About Color How we see color Learning to use color Advanced color principles For those interested in in-depth color learning. Ideal for designers, artists, illustrators and graphic designers.
Inspired by the ornate plaster-work of Renaissance Italy, decorative plaster has a millennial history, with origins dating back to the Rome of the Caesars and in the art of Ancient Greece.
It was Andrea Palladio, a famous Italian architect, who in the XVI century re-discovered it through his studies and re-proposed it in the splendid Venetian villas that are still to this day the distinguishing mark of his career. Stucco Veneziano is an aesthetic solution that step by step, conquered Venice and Lombardy, then Italy, and finally entire Europe in the XVII century. Today, venetian plaster Stucco Veneziano restores the splendor of a classic and prestigious finish.
Finishing Venetian Plaster with natural polished marble effect
Lithos is the contemporary version of the famous ancient Stucco Veneziano. It is a beautiful and highly refined decorative finish for hotels, offices, shops, exhibition halls, living rooms, etc. Ideal for all types of interior surfaces such as cement renders, Gypsum plasters, prefabricated panels wood and its by-products, as long as sufficiently smooth. With the range of colours and the applicator’s capacity and inspiration, it is possible to attain a variety of designs and chromatic effects. The resulting coating, in addition to being highly attractive, is abrasion resistant and washable.
Spread rate: XX Sq. ft. per quart.
Method of application The product is ready to use. Mix up gently until the product is workable. Spread MITHOS LUX with a steel trowel in several coats on the withered product. Polish the final coat only. In case the substrate is not homogeneous. It could be necessary to wait 24 hours before applying and polishing the final coat.
Choose your color. Simply select a color of your choice from any major paint manufacturer and our team at artSparx will custom tint your Venetian Plaster and ship it directly to your location. Call us at 415.407.5097 or email.
Lithos Venetian Plaster - Untinted WHITE - Quart
|Lithos/1GAL $ 78.95
Lithos Venetian Plaster - Untinted WHITE - 1 Gallon
Lithos Venetian Plaster - Untinted WHITE - 5 Gallon
Apply more than one coat. If white from the basecoat transpires through the first coat of Venetian plaster application, its OK! The second and third coat will completely cover these areas.
Keep the trowel clean. While adding the second and third coats, it is important to work with a clean trowel. Keep a bucket of warm water near by to clean the trowel as needed and lessen the chances of creating unwanted scratches in the surface
Base Color Quartz Primer - Un-tinted White
Plaster color Vino Rosso
Step 1: Preparation
Ideal conditions for applying Stucco Veneziano are interior walls with smooth surfaces. Apply a medium size amount of Veneziano to the edge of a stainless steel trowel using a mixing knife. Begin to apply a first coat over a smooth and primed surface. Apply the first coat as thin as possible. In a room temperature environment, Stucco Veneziano's open time ranges from approximately 15-30 minutes. I use long and swift motions to create a smooth and even first layer. I try to create as level and uniform 1st coat as possible.
Step 2: Scrape off excess.
Once the surface is dry, scrape off any excess or dried product using the edge of the trowel. Make sure the surface is completely smooth and ready for a second coat.
Medio Quartz Primer is quartz facing in an acrylic formula. It is a flat finish primer for texture basecoats and preparation. Commonly used to prepare surfaces so that they are perfectly absorbant, smooth, and transpiring. Overall, quartz primer is a smooth finish primer used to create good foundations for applications for Stucco and texture finishes. Use for large grain lime plaster. Medio Quartz Primer is quartz facing in an acrylic formula. It is a flat finish primer for texture basecoats and preparation. Commonly used to prepare surfaces so that they are perfectly absorbant, smooth, and transpiring. Overall, quartz primer is a smooth finish primer used to create good foundations for applications for Stucco and texture finishes.
Spread rate: 71 to 82 Sq. ft. per quart.
Quartz Primer - Medium Fine - Quart
|QuartzM/5L $ 89.00
Quartz Primer - Medium Fine - 5 Liter
NQuartz Primer - Medium Fine - 14 Liter
Step 3: Sand Surface.
Before I begin each new layer I like to use 400 grit sandpaper to lightly sand the surface. Sanding in a circular motion blends the layers of Stucco and brings the underlying layers to the surface. Wait at least 1 hour for the first coat to completely dry before applying a second coat.